Tenchi Muyo! Ryo-Ohki Ongaku Hen 1

PICA-1003 

'92.08.25

 

I remember a different version of the cover.  Mihoshi was in place of Washu.  I find that odd, that all characters are shown before the release of the first episode, which comes out a month later.  It's a good way to get a feeling the characters before they go on screen.  Though, I'd rather have them come out as a surprise, then have this come out.  Anyways, there is a lot planned for the future with this CD.

 

One would expect an OST to mainly consist of, well, ORIGINAL MUSIC!! There are 8 short dramas, couple character songs, few instrumentals, and OP/ED themes in their full glory.  Chisa Yokoyama, Sasami's Seiyuu, sings the ending theme. Composed by Ikuru Fujiwara, the man behind most Pioneer/AIC theme songs.  He does an excellent job of capturing the fun in the anime in this one song.  Chisa's voice is actually not that annoying.  I can listen to this song without any qualms.  Even when compared to the amazing English versions.

Unfortunately, the original OAV theme opener does not lay anywhere on this disc, but we do get the Original Version and the Re-Mix Version.  Oddly, they place the remix first and the original last.  The original, of course, stays true to the opener, only getting into the main arrangement immediately.  Some haunting vocals have been added. Love hearing the bass.  Drums are masterful.  The jingles and japanese acoustic give great flavor.  Just when you think its over at 1:50 it loops, but doesn't give the feeling of repitition.  As Nagaoka, improvises it even further.  The remix version, is not necessary, and kind of can be a turn-off.  The drums are more ethereal here, as well as other instruments.  I was expecting more use of synthesizers, but all instruments sound authentic on this one.  The piece does feel a little slower.  I actually I am happy with the turnout. 

I've avoided the character songs for to long.  If not for this review, I wouldn't have embraced how well done these songs are.  Ryoko's seiyuu, Ai Orikasa, takes the mic in Daiichi Hakkensha Blues.  The smooth rythym posed in this song goes along with the cover.  As in, it gives off the whole jazz club feeling.  Nagaoka and Oriakasa should go together more often.  She does express her seduction as the character would in this song. 

Away from the R&B section, Yumi Takada, poses as Aeka, and sings us a ballad.  Seikou puts the Juraian themes in this song.  Piano, harps, oboe and snare drums occupy the entire track.  Takada is accompanied by some male vocals at the end.  All leading to a triumphant finish. 

Both Takada and Orikasa follow Masami Kikuchi in a duet, only with three people.  Ueno No Koi No Monogatari continues the rythym and blues theme.  I guess jazz and R&B is not so bad when in the hands of Nagaoka.  Ryoko and Aeka bicker with each other, trying to out sing one another.  The song almost falls apart hilariously at the end. 

Now for the radio dramas, constructed by none other, lady Nahoko Hasegawa.  It's worth actually getting into these voiced adventures.  Out of the Tenchi dramas, these are my favorites, because she truly expresses the characters in a unique way.  Hayashi Hiroki even sketches out the scenario for each drama.  Giving an extra method to understanding the dialog for non-Japanese speakers.

Mini-Drama 1 sounds like they are at bar.  Again, accurately depicted in the sketch above.  Ryoko is daydreaming or something and Aeka breaks the fantasy.  Then Aeka gets drunk as well, and she gets into her monologue.  Things get wild with some rapid footwork.  Aeka gives some shock therapy that tickles Ryoko. 

Ryoko's Theme follows.  A great representation of the character.  In one of the many Tenchi books, Seikou states that Ryoko is his favorite character.  It certainly shows here.  The track is filled with a strong beat, synthesizers depict Ryoko's fiestiness, and at the same time her lonliness. 

Second mini-drama, is a short Ryoko monologue.  Tenchi and Sasami are spying on her.  Trying to keep quiet and laugh at Ryoko's thoughts.  Ayeka gets the third mini-drama, for the full 30 seconds.  Then in the fourth, it's both of the girls, discussing something.  Aeka looks for Tenchi's attention, but does not respond.  She then yells for a response.  Ryoko laughs at the relationship.  Tenchi seems very overpowered here, but at least he says somethings.  Sasami is picked on for some reason. 

The middle of the OST has some long instrumentals.  The first is the Ryo-Ohki Summoning, or Sneaky Tenchi theme.  Bass, violins, and some acoustics quietly fill in for two minutes, before some percussive instruments take charge for another two minutes.  It feels tense as it should, and the synth helps add character.  Aeka's theme follows.  Might take some time to actually like.  Percussion and ethnic Japanese strings set the mood for the piece.  Acoustic rythyms and pace establish the peaceful and proper nature that is Aeka.  The opposite of Ryoko.  Don't skip this theme, becuase then the character can't be fully understood.

The Destruction of the Saito Bridge, begins with synthesizers and a beat, signifying that something is emerging.  The intensity builds, before some snare drums and ticking sounds give it speed.  The oboe moves in for the evolution of the BGM.  Guitars start getting pressed on to show the gravity of the situation.  At two minutes the action begins.  Oboe, clarinet and strings represent the fall of the ships.  An epic track that deserves the repeat treatment.

Mini-drama 5, has Tenchi on the edge.  Sasami and Aeka try to play karaoke.  Sasami comes out of no where laughing in the sixth drama.  Tenchi is running again. 

Another Aeka BGM insert.  This sweet piano/oboe ballad is very welcoming, but is put to shame by the next BGM.  The instrumental gem, Royal Teardrop of Jurai.  I'm not even going to describe how powerful this ensemble is.  A majestic symphony.

In the 8th drama, Ryoko sings her song which wakes up and annoyes Aeka.  Whereas, in 7, Ryoko and Aeka are sneaking in the middle of the night and cross each other.  They do battle. Aeka seems to be doing some damage.  Sasami is awoken, wakes up Tenchi, and he has a fit by the girls destruction.  They simmer down and pout about it. 

Kajishima provides the character illustrations.  Artwork that I cannot find in any other Tenchi media. The Washu uniform is sleek.  Wish it was used in the anime.  Pioneer does not mess around when it comes to extra's, but where is the music.  The booklet is complete with images and descriptions.  In my opinion, over the top design.  Booklet barely fits in the case.  Package: 10/10

What is provided here is beyond complaint.  The cuts between the tracks were off.  It was as if it was all recorded in sit.  A split second of the drama echoes into the BGM song.  The BGM song carries on into the drama.  With only 6 actual BGM's, it's hard to really grade the musical world of Tenchi.  There could have been the Tenchi and Sasami themes at least.  Aeka's themes may bore the listener, but they are quite essential.  The rest of the soundtrack is a party, and Ryoko alone is a fiesta.  Album: A...

جميل وهناء - Jameel wa Hana

Thankfully, I was born into an arab family.  I would have never seen this, a classic among classics. This is the first Syrian comedy series, I've been introduced to, and hooked to.  I still repeat every so often.  Unlike the other arabic series, Ailet 7(for short) this is compiled into one straight series.  In Ailet 7, each episode had a title and a focus, whereas this show carries the plot.  33 or 34 episodes I believe, from begining to end, and it's all interconnected.  There is not a person who has not seen or heard of it.  Most arabs don't like to repeat things.  Even if its good.  I always get the comment from many of my family members, "You're still watching this old show"  Well, there is nothing like it, and I'll explain to you why.

Plot Synopsis

Saleem, the problematic child, sneaks into his parents room to change the alarm.  Jameel barely wakes up by himself, realizing that his son changed the alarm.  Hana asks her husband, Jameel, to get the boys, Tahre and Saleem, ready for school.  Jameel is not happy with her request, because he says that his work is enough on him, and that she should be doing all this, but he does so any way.  As he is waking the boys, Saleem is stalling purposefully, just to get his father to take him.  Saleem gets what he wants, as he will, most of the time.  Jameel burns the coffee and it overflows, barely getting a cup for his wife.  Her ride comes from her job, in which she runs off to it only to be grabbed by Jameel.  He asks that she back early so that he comes home to find dinner ready. 

At Jameel's offices, we have Amal Jamal, his secretary, doing her makeup. Zooming outwards, we see Darweesh, the coffee maker on the telephone, with one of his wifes.  He starts to deliver coffee and tea to the other employees.  He has a habit of rubbing cologne on everyone.   

Salem, one of the employees, enters with a rose in his hand, to flirt with, Werde, his co-worker in their department.  Werde is not keen at all to his constant flirting, because he is married to Manal.  When Werde throws Salem's rose, he goes to pick it up from the feet of his wife.  Manal is pissed to see him at Werde's desk.  She asks him where he stayed so late, and he replies at his mothers.  Manal asks him that next time he goes, he takes her with him.  He is able to calm her down.  She then goes back to her department, and talks with her co-workers.  She says to them that Salem's story at his mothers is a lie, and calls her to make sure.  Manal's co-workers try to get her off Salme's case, so that she doesn't ruin their marriage over his freedom.

Manal goes back to Salem to find the truth.  Layla tries to stop her, but fails.  Layla says that she never asks her husband about his whereabouts.  Samia tells Layla that they are both wrong and that they need to find the middle.

I'm going to skip synopsis for this series.  It's just too long and I should be paid to do a half-assed translation.  I really recommend watching this, especially if you like comedy.  The technical merit is unsurpassed by any American film or soap opera.  The screenplay, the acting, the music, camera usage, it's just sweet simple harmony. 

Actually, it's going to take pages upon pages to translate a whole scene.  So I'm going change it up.  Since this is my favorite series.  I'm not going to torture myself and write on each episode.  Next post will be character introductions and descriptions.  I will do a brief synopsis of episode 2 and cover some material from this episode.  I have provided a link for you above, so that you can see the brilliant creation.  Every 7 parts is an episode.  The account has the whole season up there.  Video quality is low, and sound may be ahead the picture or not in sync at times.  This is recorded of a VHS anyhow.  Sometimes the sound will only come from one side. 

Jackie Chan Adventures- Season 1

 

It really amazes me that children programming is more entertaining than adults.  The character design is done by Jeff Matsuda.  A wonderful job he has done, even though they are not groundbreaking new designs.  Talented voice cast for targeting children.  Definitely, my favorite character would have to Uncle, played by Saburo Shimino.  Even though Jackie Chan is Chinese, I see a trend in hiring Japanese-Americans.

Opening episodes normally have either slow, rocky, boring, or non-thrilling sequences.  Though, Ep. 1 and 2, interconnected, grab you immediately.  Especially since we get introduced to most of the main characters.  It's amazing that 7-10 characters are usually played per episode, and with good to funny lines.  Of course, I would have considered this an adults show if that little brat Jade, would have stayed quiet throughout.  I don't like kids on tv.  Her voice is played well but she is just annoying.  Capn Black is your ordinary secret agent.  The Dark Hand organization leader Valmont is very fitting.  Sad he doesn't have very good henchman, especially if he is sad to be wealthy.  The demon sorcerer, Shendu, his talismans, and the Shadowkhan are very interesting and creative.  

A neat extra feature was the mini-interviews with Jackie Chan himself.  Not that great, but adds a little variety.  13 episodes, with nothing off track makes this first season strong.  Lots of action and comedy, to keep you hooked. Any scenes with Uncle or Shendu are what I repeat the most.

Initially, I thought there was only a few dvd's containing the episodes, but now I see that the whole season is on one dvd.  Yet I can't find it.  Though now with digital media, you can get through the Netflix subscriptions.  The clearest version you can find on youtube is from Crackle.  They have up to season three, but have those annoying mandatory commercials.

عيلة سبع نجوم - الحلقة 1 - رز بحليب (Aiilet Sebeuah Njoom- Riz Bihaleeb)

I'm sure that this is something you, the audience, have never been introduced too before or after me.  This program is a comedy series from Syria, the land of my origins.  This type of filming is something I'd like to do, or wish that American TV would learn from.  They make very good use of the camera, actors, story, props, and music.  I know some arabic, lingually, and recently learned the alphabet.  I'm a slow reader, but it's my way of knowing what is being read.  The way its written sounds different than when said in dialect between people.  Not like you'll understand just by me explaining. 

Unfortunately, Syria being a third world country, has no real disbtributing company.  If you want to watch something, it may be on tv, or it is available by bootleg.  This show is very old, possibly 1990 at the least.  Because of no distributors, there is no extra material to learn.  There are magazines which do have interviews with the cast and crew, but I'm not able to track them down.  Merchandising is nothing like here, and we here are not organized like Japan.  So all you get is the show.  Which is more than enough, because one episode can fill you up, and still leave you for wanting more.

The title translates into Family of Seven Stars.  Each episode is subtitled, there is no number.  The subtitle is Rice from/in Milk.  There is no way for me to make you understand the humor of the title.  It's one of those language specific jokes.  Here is the episode I'm reviewing.  It has a great opening theme, there is nothing of the like here.  Three minutes long, is a good song, but is used on every episode.  I like the editing of the opening video.  It shows all the wacky hijinks that entail the show.  Try it out.  I couldn't find one with just the opening song, but at least you can try out the show, after seeing the video.  I urge you. 

Summary/Synopsis:

For this series I will give a thorough outline of the show, since you probably won't be understanding anything.  Our main characters are bring in a goat which the tall guy, Chifeeh, stole from a wealthy herder.  They are trying to milk it until stopped by the village chief. 

Anyway, the chief takes our goatnapper to the police station.  The rest of the family is trying to figure out a way to raise money to get a good lawyer.  Chifeeh's wife's father, gets a couple of chickens to sell eggs. 

Meanwhile, their neighbors, the fourth family living in that house, steal the eggs from the hen house, and blowing all chances of getting their Chifeeh out. Finally, Chifeeh getting a welcome back party.  The men bringing him home and the women giving their welcome blessing.  Then they all have brunch and start singing. 

The singing goes on, until the fat guy's voice throws them off, because he was trying to eat. 

Note: All songs used are real songs, most of the time they just change the lyrics, mainly to make it funny.

These people are very poor.  There are four different families living in this oddly structured home.  Each family has their own room, with one restroom, and two kitchens, divided among them.

It would also help you better to understand if you know the

Characters

First couple is Badii and his wife Zehera.  Zehera means flower.  She wears the wierdest clothes.  Her hairstyle makes me mistake her for a man.  Badii is the banjo player(or called ooud) and a provides most of the musical nods.   

Tall boy Chifeeh to the left and his wife Ghada to the right.  Chifeeh can mean, did you see?  He is sly.  Ghada makes up for his bad behavior like a guide. 

Booran mother of Ghada and Badii.  Abu Tumzeh is her husband, somehow, but not much is revealed on all relationships at this point.  Booran is like the godfather in this series.  She has most of the lines, and good ones at that, she has brains, and the courage to put everyone in their place.  Her goals are to get out of this crappy lifestyle.  "Abu" means father of.  So Tumzeh is not his real name, but it's how he is refered to.  He is the father of Tumzeh.  In the arabic culture, you are refered to the father of your first born son.  So Booran, would be called Em Badii.  Abu Tumzeh is wierd, I don't know his role much now, but later we will.  He is a man, but doesn't seem to be acting on top of things.

 The members outside the main three in the house, Manal to the right is the daughter of garbage man, Abu Manal.  More on them another time.

 The village chief, don't know why he's wearing a santa suit. 

Hanii, fat guy, loves Manal, and his mother to the left of him. 

I'll explain more later, but this is already fun with all the dancing, singing, and wackiness.